How The Soil Remembers
The second chapter of the Welto exhibitionOpening Hours
Thursday: 3 p.m.-8 p.m.
Friday: 3 p.m.-8 p.m.
Saturday: noon-8 p.m.
Sunday: noon-8 p.m.
Save the Date
all ages welcome
multilingual
With works by: Annalee Davis; Kindern der École Clémence Caristan & Permactivie; Mawongany mit Kalma & Mycelionaires; dem Kollektiv The Gardens of Care mit Georgina Espasa; Zumunchi e.V. und Kweli e.V. mit João Albertini & Henrique Entratice; Thomias Radin; Álvaro Urbano
Spore’s exhibitions do not close; they compost, they ferment, they move. How the Soil Remembers grows out of Welto and the Sacred Bush, a project rooted in the sophisticated garden ecologies of Martinique and their insistence on communal knowledge, care, and endurance. This new chapter acts as an expanded field of relations shaped by the exhibition’s presence in Berlin—its encounters, its misreadings, its solidarities, its gifts.
The focus shifts from the sacred bush to the ground beneath it: soil as a holder of memory, injury, and imagination. Soil remembers extraction and toxins, the labour of repair, the persistence of healing gestures, and the forms of knowledge carried through plants, fungi, stories, and shared practices.
Within this expanded ecology, works and processes weave together across different contexts. Plant knowledge cultivated by Permactivie travels through Annalee Davis’ mandala and reappears in the papier-mâché guardians built by Sol Undurraga, shaped from drawings by the children of École Clémence Caristan. Experiments in care and regeneration unfold through Mawongany's fungal cultivation with Mycelionaires, now joined by an audio-visual environment developed with Kalma.
Women* from Stadtteilmütter Rollberg, Schillerwerkstatt and Yekmal e.V., accompanied by Georgina Espasa, embroider medicinal plants and personal memories—creating a textile garden, that reflects on how healing practices, scents and flavors travel, adapt, and remain even when the land itself is absent. Through the collaborative theatre developed with Zumunchi e.V. and Kweli e.V. with João Albertini and Henrique Entratice, insect guardians emerge as lenses through which children, parents, and elders imagine how ecological life shifts across seasons and geographies.
Works by Thomias Radin and Álvaro Urbano enter this constellation as further echoes: reflections on histories held in body and land, on the fragility and endurance of landscapes shaped by monoculture, movement, and unfinished worlds.
Rather than illustrating a single theme, these contributions share concerns that run beneath their surfaces—how communities care for damaged soils; how knowledge is passed from hand to hand; how healing is practiced in conditions shaped by constraint; how imagination becomes a tool for living with land rather than above it.