Portrait of the Iranian singer and actress Googoosh from the filming of Bim va omid (Hope and Fear) (1960)
Photographer: Asghar Beechareh. Tehran, Iran. 1958–1960

In the book The Tale of the (Fe)Male Sun, Afrang Nordlöf Malekian and Nour Helou narrate a story of the rise and fall of hierarchical beauty standards in Southwest Asia and North Africa through mythologies, anecdotes, history, Qajar paintings, hand­colored photographs, with cassette and vinyl covers. What rises from the pages is the story of how a little star in the cosmos transformed into an almighty sun, both female and male. In their light, nonbinary gender expressions in painting, music, and dance flourished, nurtured by the desire of royals and artists. But over time, the gender­transcending sun came to be eclipsed by a new, faceless sun. Now in the shadows, but not forgotten, the (fe)male sun occasionally sneaks out from behind the faceless sun – like in this book – reminding us of their former glory. All in the hope that one day, we will greet this sun again, like an old friend shining by our side.

 

The book launch features a conversation between Afrang Nordlöf Malekian and Nour Helou moderated by dance scholar Elaheh Hatami followed by a listening session of readings, interspersed with Iranian and Arabic music from albums in the publication, with artists such as Giti, Leila Forouhar and Fairuz. The readers include Zahra Moein and Jelena Jovičić.

 

During the evening, the book will be available for purchase at a special price!